Sinopsis |
Since the start of the 1990s, despite tougher competition than
ever before from Hollywood, a rebirth and flourishing of cinema has been taking
place in parts of Europe, the Middle East, East Asia and South Asia. This book
provides an overview of the cinemas of these regions, interpreting some of the
recent developments as strategic responses to globalization. Highlighting
transnational and cross-cultural structures, influences and themes, it offers:*
A broad critical context for the study of contemporary world cinema, introducing
key concepts and issues including modes of production and distribution.*
Cultural and historical background for the cinemas of each region, with analyses
of regional aesthetic styles and comparisons with Hollywood models.* Case
studies of Scandinavian, Iranian, Hong Kong and Indian cinema.* Close analysis
of twelve landmark films, including Thomas Vinterberg's Festen, Samira
Makhmalbaf's The Apple, Wong Kar-Wai's In the Mood For Love, and Ashutosh
Gowariker's Lagaan.Contemporary World Cinemais vital for students and teachers
of film, media, cultural studies and modern languages, as well as general world
cinema enthusiasts.
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