Sinopsis |
Color and Mastering for Digital Cinema explores the
implications for motion picture post productio processes and changes required
for the supporting equipment and software. While a new concept to the motion
picture community, the selection of the wide gamut, output-referred XYZ color
space for digital cinema distribution is based on decades of color science and
experience in other industries. The rationale for choosing XYZ and the other
color encoding parameters is explained and the book also provides a full case
study of the development of DLP Cinema� projectors by Texas Instruments.
Finally, this book explores how the XYZ color encoding concept can be extended
to support enhanced display technologies in the future
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